Hotels and resorts
Murals for reception areas, restaurants, courtyards, guest corridors and exterior walls. The work can respond to the geography and history of the property without turning the building into a theme park.
A guest reads a room before they read the menu, find their table or decide whether to photograph it. The wall is already part of that first impression. I paint murals that give it something true to say.
Each piece is designed for the architecture, the light, the existing palette and the people who move through the space. There are no catalogue designs. No enlarged logo pretending to be art. One work, made for one place.
Based between northern Spain and California. Working across Spain, Europe and the United States.
Discuss a hospitality mural
Hospitality spaces carry two jobs. They have to function under real pressure, and they have to leave a feeling behind after the person has gone home.
A mural can mark the moment of arrival. It can draw a guest through a large room, give identity to an overlooked wall or make a new property feel as though it has been there longer than six weeks. The work earns attention without asking the rest of the room to compete with it.
Murals for reception areas, restaurants, courtyards, guest corridors and exterior walls. The work can respond to the geography and history of the property without turning the building into a theme park.
A dining room should sound like the food tastes. The mural becomes part of that visual language, working with the menu, materials and pace of the room rather than sitting on top of them.
Artwork can give focus and rhythm to rooms that might otherwise feel anonymous. I work carefully with colour, scale and visual movement so the result supports the space without overwhelming the people using it.
I can join while the room is still on paper or work within an established design system. Plans, elevations, material samples and lighting information are welcome.

A full side elevation painted in durable exterior acrylic dotwork, turning sunset, mountain and ocean into part of the building’s public face.
I used to underestimate how much of a mural happens before the first tin opens.
Club Evexia made the arithmetic visible. The painting covered three connected walls inside a wellness and coworking space. Four days were spent painting on site. Three weeks went into developing the design, testing its movement across the walls and finding a palette that could hold the room without distracting people trying to work in it.
That preparation is the job.
"These murals give a sense of calm and soothing energy to work in, and they fit right into the vibe that Evexia emulates."View the Club Evexia project

We begin with the building. A clear photograph, rough dimensions and a short conversation are enough to start. Where possible, I visit in person. Plans and elevations work when distance makes that impractical.
You receive sketches and a colour study developed for the specific wall. Revision stages are agreed in advance. Painting begins only after the design is approved.
Surface condition, operating hours, lifts, scaffolding and site rules are identified before dates are confirmed. Interior and exterior materials are specified for the actual substrate and exposure.
I paint the mural by hand. Most projects take four to eight days on site. The finished work is inspected with you and handed over with practical maintenance guidance.
Most commissions run four to eight weeks from the first conversation to completion. The painting itself is often finished within four to eight days.
Often, yes. I can work around service hours, guest movement and quieter periods. The exact plan depends on access and where the wall sits inside the operation.
Scale matters, but it is not the whole calculation. Surface condition, design time, access equipment, materials and travel all affect the proposal. I provide a written scope before the dates are reserved.
Yes. I work between Spain and California and travel for the right project. Travel, accommodation and local access costs are agreed before anything is booked.
Yes. I can work from an existing brief or join during concept development. Colour schedules, material samples and architectural drawings help the mural become part of the room rather than a late addition to it.
A city, one clear photograph and rough dimensions are enough. You do not need a finished creative brief before we can talk about the wall.
Send me the city, a photograph of the wall and whatever dimensions you have. I will come back to you with an honest sense of fit, timing and likely cost.
Start a hospitality mural